Close up - More intimate than the medium shot, the expressions and emotions of an actor are more visible and affecting and is meant to engage the character in a direct and personal manner. You are starting to lose visual information about the character’s surroundings, but the character’s actions are more intimate and impacting.
Extreme close up - For amplifying emotional intensity, the extreme close-up puts the camera right in the actor’s face, making even their smallest emotional cues huge -- and raises the intensity of the problems behind them.
Medium close up - Halfway between a mid-shot and a close-up. This shot shows the face more clearly, without getting uncomfortably close.
Medium shot - The medium shot is where we are starting to engage with the characters on a personal level. It is an approximation of how close someone would be when having a casual conversation.
Long (Wide) shot - The distance of the camera from its subject also reflects an emotional distance; the audience doesn’t get as emotionally involved in what’s going on as they would if they were closer. In a way, it makes viewers a casual bystander, somewhat aloof to what’s happening.
Medium long shot - Falling between the long and close shots, this is more informative than emotional. It is too close for the epic scale of a long shot and too far to convey the intimacy of a close-up, making it emotionally neutral.
Extreme long shot - Typically used to show subjects of relatively massive scale. Picture a mountain climber represented as a tiny speck against a vast expanse of snow, the extreme long shot conveying the relative insignificance of the character struggling against their environment.
Bird’s eye view - Typically used to show subjects of relatively massive scale. Picture a mountain climber represented as a tiny speck against a vast expanse of snow, the extreme long shot conveying the relative insignificance of the character struggling against their environment.
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